THE SPACE BETWEEN: LITERATURE AND CULTURE 1914-1945
THE SPACE BETWEEN: LITERATURE ANDCULTURE 1914-1945
is published each May by
We welcome papers on any aspect of refiguring literature andculture in English which illuminates the period between 1914 and 1945. Weenvision 4 - 5 articles per issue, which will be accompanied by a number ofreviews. All articles will go through a referee process, and each author willreceive an anonymous referee report.
Papers presented at the Space Between annual conferenceswill also be considered for publication.
The journal is edited by Dr. Kristin Bluemel.Authors from the
The editors of the journal The Space Between:Literature and Culture, 1914-1945 would like to announce a call for papersfor a special topics issue (Volume 3, Number 1) on Technology, Media, andCulture in the Space Between, 1914-1945.Interdisciplinary articles that explore the manifestations, effects, andrepresentations of the new technologies of the 1914-1945 periodare sought. The editors are especiallyinterested in interdisciplinary explorations of the cultural relationships thatemerge as the roles of the media and technology shape each other in the spacebracketed by the two World Wars.
Please send submissions or correspondence regardingsubmissions to the guest editor, Debra Rae Cohen, at drc@uark.edu or Departmentof English,
The Space Between is a refereed journal dedicated to supporting scholarlystudy of literature and culture between the wars.
Submissions should run no more than 25 typed pages, double-spaced,including endnotes. MLA style will be the required format. Articles should besubmitted in triplicate and should be unsigned. The referee process will beanonymous. Contributors who want their manuscripts returned should include astamped, self-addressed envelope and expect a wait of three months. Anyone whosubmits an article will receive a reader's report--whether the article isaccepted or not. In some cases, we will encourage authors to resubmit theirwork for review once certain major modifications are made. Authors who havebeen accepted for publication will be required to provide a copy of theirarticle on disk.
| Name | | Affiliation |
| Bernard Bergonzi | | |
| Roger Bowen | | |
| M. Keith Booker | | |
| Stella Deen | | |
| Erica Doss | | |
| Brian Greenberg | | |
| Christina Hauck | | |
| David Hopkins | | |
| Elizabeth Maslen | | |
| Janet Montefiore | | |
| Harold Orel | | |
| Patrick Quinn | | Worcester Polytechnic Institute |
| Susan Rosowski | | |
| Janet Sharistanian | | |
| Janet Ward | | |
PRECURSORS AND AFTERMATHS: Literature in English, 1914-1945 ISSN 1542-8109 Volume 1, issue 1, May 2000: |
| MODERNISTS PASSING THE BUCK: "Orientals," Middlebrows and The Good Earth |
| LILIED TONGUES AND YELLOW CLAWS: The Invention of Limehouse, |
| MODERN KNOWLEDGE AND FORD'S MODERN NOVEL |
| WRITING THE NATION AT WAR: |
| "THE UNDISCOVERED COUNTRY, FROM WHOSE BOURN. . . ": |
| Book Reviews: Patrick Deane's History in Our Hands: A Critical Anthology of Writings on Literature, Culture, and Politics from the 1930s |
PRECURSORS AND AFTERMATHS: Literature in English, 1914-1945 ISSN 1542-8109 Volume 2, issue 1, May 2003: |
| EZRA POUND AT ST. ELIZABETH'S |
| "THE PLAIN READER BE DAMNED": Literary Periodicals and the Construction of Modernism |
| "A Balloon Filled with Verbal Gas": Blather and the |
| BRITISH MODERNISM AND DARK HUMOR |
| "BETWEEN THE REAL AND REALLY MADE UP": Mimetic Strategies in Dan Billany's Wartime Novel The Trap |
| Book Reviews: Michael T. Saler's The Avant-Garde in Interwar England: Medieval Modernism and the |
THE SPACE BETWEEN: Literature and Culture, 1914-1945 ISSN 1551-9309 Volume 1, issue 1, 2005: |
| SERIOUS PLAY: GAMES IN TWENTIETH-CENTURY MODERNISM by Claudia Mesch |
| A PORTRAIT OF THE ARTIST AS LANDSCAPE: F. H. VARLEY AND A. M. KLEIN by Liisa Stephenson |
| STORM JAMESONS NO TIME LIKE THE PRESENT: THE EXPATRIATE IN PATRIA by Natalie Golubov |
| AESTHETICS, POLITICS, AND THE OTHER: TOWARD AN ETHICAL THEORY OF ART IN CHRISTOPHER ISHERWOODS PRATER VIOLET by Jamie Carr |
| CLOTHING THE SOVIET MECHANICAL-FLNEUSE by Jon Cockburn |
| Book Reviews: Jed Estys A Shrinking Island: Modernism and National Culture in England and Jane Garritys Step-Daughters of England: British Women Modernists and the National Imaginary reviewed by ASHLIE SPONENBERG, CUNY David E. Chinitzs T. S. Eliot and the Cultural Divide reviewed by CHRISTINA HAUCK, Phyllis Lassners Colonial Strangers: Women Writing the End of the British Empire reviewed by MARY ANNE SCHOFIELD, Keith Perrys The Kingfish in Fiction: Huey P. Long and the Modern American Novel reviewed by ROBERT H. BRINKMEYER, |