Beginning with themass mechanization of the Great War, the period through World War II catapultedpeople into a new kind of modernity. New technologies and media conjuredup both awesome and frightful fantasies and realities in the creative andcritical imaginations of artists, scientists, producers, consumers, andcritics. Technology and media excited and threatened domestic andinternational politics and challenged members of popular and elite cultures toreconfigure relationships between selfhood, society, and the objectworld.
This interdisciplinary conferencewill explore the manifestations, effects, and representations of the newtechnologies of the 1914-1945 period.Considering this distinct period in twentieth-century history will offercrucial perspectives and insights on the significance of visual and auditorytechnologies, designed and built technologies, technologies of the body,technologies of flight, speed and simultaneity, technologies of production,technologies of social engineering. Weare particularly interested in exploring the cultural relationships that emergeas the roles of the media and technology shape each other in our Space Between.
Keynote Speaker: Jeffrey Sconce,Associate Professor of Radio/Television/Film, Northwestern University, on TheWill to Power: Technologies of Influence and Delusion in the Early TwentiethCentury.
Dept. of English
Theconference will explore the myriad and often conflicting meanings of the cityas expressed in literature, film, photography, theater, creative reportage,history, and art history.Inspired by Fritz Lang's film, we arecalling for papers that examine relationships between the many written andpictorial forms that represent the city and its artistic, rhetorical, and symbolicmeanings, in a given moment or as reflecting cultural and historical change andcrisis.
From LangsWeimar to Mina Loys Paris, from the Harlem Renaissance to Leni ReifenstahlsBerlin, and from Martha Gellhorns Barcelona to Elizabeth Bowens Blitz andMarguerite Duras Hiroshima Mon Amour, and beyond, we will examine theconstruction and deconstruction of such terms as habitat, haven, ghetto, andmuse as well as Metropolis as the center and periphery of civilization, as theinspiration for an idealized Rural, and even as anti-Metropolis.
Keynote Speaker: Janet Ward,Associate Professor of History and Director, Interdisciplinary Studies,
Robin Rissler
Dept. of English
461 Denney Hall
Framed by thedevastations of total war, the years 1914-1945 were marked by global social,political, economic and cultural upheaval.Amidst the on-going geo-political contestations and conflicts were theskirmishessometimes serious, sometimes playfulfought in the domain of artitself. Advocates for tradition and innovation clashed not only in and over thetraditional arts of literature, threatre, painting, sculpture, dance and music,but also in and over the problematic valorization of new forms of art, many,such as advertising, fashion, film and photography, enabled by developments intechniques of mechanical reproduction.
RepresentingRegionalism, Nationalism, and Internationalism in the Space Between 1914-1945
Keynote
Debra Rae Cohen
PatrickDeane, Chair
Department of English
KeynoteSpeaker: Rita Felski, Professor of English, University of
Stella Deen
Dept. of English
SUNY-New Paltz
New
Keynotepanelists: Kristin Bluemel,
Linda Holland-Toll
Dept. of English